守正出新:屈大均古体诗的用韵艺术--兼论《怡怡堂诗韵序》的韵学观  

The Maintenance of the Tradition and Innovation:The Art of Rhyme in Qu Dajun's ancient style poems:Also on the Rhyme Concept of Yiyitang Poetry Rhyme Preface

作　　者：黄金灿 HUANG Jincan(Anhui Normal University China Poetics Research Center,Wuhu 241000,Anhui,China)

机构地区：[1]安徽师范大学中国诗学研究中心,安徽芜湖241000

出　　处：《铜仁学院学报》2024年第2期25-35,共11页Journal of Tongren University

基　　金：安徽高校协同创新项目“中国经学诗学史”(GXXT-2021-045)。

摘　　要：屈大均古体诗用韵艺术具有守正出新的鲜明特色:五言古诗以一韵到底为正体,多用古韵通转是其一大特色;七言古诗以换韵为正体,“三三制”韵式是其一大特色。五七古正体之外,亦有“变体”的创作实验。屈大均另有《怡怡堂诗韵序》一文,系统表达了其韵学观,具有与用韵实践相印证的特殊价值,也有助于展示清代韵学进入诗学的具体路径。Qu Dajun's ancient style poems use rhyme art with the distinctive features of keeping upright and creating new ones:the five-character ancient poems take one rhyme to the end as the main body,and the use of ancient rhyme is a major feature;the seven-character ancient poems take the change of rhyme as the original style,and"three rhymes are grouped together""Form is one of its major features.In addition to the five-seventh ancient body,there are also creative experiments of"variant".Qu Dajun also has another article Yiyitang Poetry Rhyme Preface,which systematically expresses his rhyme concept,which has special value confirmed with rhyme practice,and also helps to show the specific path of Qing Dynasty rhyme into poetics.

关 键 词：屈大均 古体诗 一韵到底 古韵通转 换韵 

分 类 号：I206.2[文学—中国文学]