重绘“山海”:明胡文焕刻“山海经图”与近世《山海经》的知识重构  

Repicturing the Realm:Pictorial Shanhai Jing by Hu Wenhuan and the Knowledge Reconstruction of The Classic of Mountains and Seas in Late Imperial China

作　　者：程梦稷 Cheng Mengji

机构地区：[1]北京大学中国语言文学系,北京100871

出　　处：《南京艺术学院学报（美术与设计）》2024年第3期19-24,I0002,共7页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：国家社会科学基金青年项目“图像视域下的《山海经》民间传承与知识生产研究”(21CZW056)阶段性研究成果。

摘　　要：在晚明坊刻的书籍史语境下,胡文焕刻“山海经图”一方面以其世俗化的图文形态,勾勒出《山海经》接受史中“到民间去”的重要流脉,另一方面则在与日用类书“诸夷门”等通俗文献的互文中,折射出近世民间视野中关于《山海经》知识的重构方式,并由此为理解早期经典的民间接受与知识传递提供了重要线索。In the context of printing and book culture in late imperial China,Hu Wenhuan's Pictorial Shanhai Jing plays a crucial role by delineating the trajectory of the reception of The Classics of Mountains and Seas as it permeates into the common people through its secularized visual and textual form.And,it reflects,through its intertextuality with popular literature,the modes of knowledge reconstruction within The Classic of Mountains and Seas.It is in this sense that Pictorial Shanhai Jing by Hu Wenhuan provides crucial clues for understanding the reception and transmission of early classics.

关 键 词：《山海经》 胡文焕 山海经图 接受史 知识传递 

分 类 号：J024[艺术—艺术理论]