“全球艺术”的提出与探讨——汉斯·贝尔廷在现代主义艺术史之后的视域延伸  

The Conceptualization and Exploration of“Global Art”:On the extension of Hans Belting's Vision after the modern art history

作　　者：胡祎祺 Hu Yiqi

机构地区：[1]北京大学艺术学院,北京100871

出　　处：《南京艺术学院学报（美术与设计）》2024年第3期134-138,I0003,共6页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：随着信息时代的全球化的到来,在当代艺术中出现一种“全球转向”的趋势。“现代艺术”“当代艺术”以及“世界艺术”概念范畴现存的局限性,使其无法解决当下某些区域新出现的艺术与历史断裂的问题。在批判与反思的基础上,汉斯·贝尔廷提出“全球艺术”概念,这是他在全球语境下以多种视角重塑艺术史书写的新尝试。With the advent of an era of liberal globalization,a certain global turn has emerged in the field of contemporary art.The limited scope of the concepts of“modern art”“contemporary art”and“world art”may not be able to address the emerging disconnect between art and history in certain regions.In terms of critique and reflection,in a critical and reflective manner,Hans Belting has developed the concept of“Global Art,”it is his new attempt to reshape the writing of art history from multiple perspectives in a global context.

关 键 词：全球艺术 世界艺术 现代艺术史 汉斯·贝尔廷 

分 类 号：J120.9[艺术—艺术理论]