革新意识与思想觉醒——俄国巡回展览画派的早期实践活动与审美图景  

Innovative Consciousness and Intellectual Awakening——The Early Practices and Aesthetic Vision of the Russian Itinerant Exhibition Group

作　　者：孔祥雯 Kong Xiangwen(Academy of Arts&Design,Tsinghua University,Beijing,100084)

机构地区：[1]清华大学美术学院,北京100084

出　　处：《山东师范大学学报（社会科学版）》2024年第2期127-137,共11页Journal of Shandong Normal University(Social Sciences)

摘　　要：俄国19世纪最大的民主艺术协会——巡回展览协会(画派),成立于1870年,一直存续至1923年,由坚持现实主义原则的俄国画家群体创立,在俄国艺术史上打开了一个前所未有的崭新局面,让俄国艺术在此历史时期迸发出蓬勃的生命力。巡回展览画派诞生的前身和最初形态由“十四人反叛”事件开始,这群皇家美术学院的优等生们在艺术创作的反思和觉醒中奋起,从早期以“合作社”互助的形式凝聚到后来转变和发展为以画派协会的机制运转,期间进行了不同形式和规模的组织实践尝试。巡回展览画派作为艺术团体,它的运作模式、创作的革新意识和美学思想在不断探索的过程中逐渐形成了独特的实践路径和审美图景,串联起一条具备非凡内涵的发展脉络。The Russian Itinerant Exhibition Group,the largest democratic art association in 19th-century Russia,was founded in 1870 and lasted until 1923.Founded by a group of Russian painters who adhered to the principles of realism,it opened up a new and unprecedented chapter in the history of Russian art,unleashing a vibrant vitality in Russian art during this historical period.The predecessor and initial form of the Itinerant Exhibition Group was the“Rebellion of the Fourteen”,where a group of outstanding students from the Royal Academy of Fine Arts rose up in the reflection and awakening of artistic creation.They transformed from the early condensation in the form of“Artel”,developed into a mechanism of operation of a painting school association and experienced organizational practice attempts of different forms and scales during this period.The operational mode,innovative awareness in creation and aesthetic thoughts of the Itinerant Exhibition Group,as an art group,gradually formed a unique path of practice and aesthetic vision through continuous exploration,linking together an extraordinary developmental context.

关 键 词：革新意识 思想觉醒 巡回展览画派 早期实践 审美图景 

分 类 号：J05[艺术—艺术理论]