艺术社会学研究方法对中国美术史研究的影响  

Influence of art sociology research methods on the study of Chinese art history

作　　者：王虹欣 李小汾 WANG Hongxin;LI Xiaofen

机构地区：[1]浙江理工大学

出　　处：《时尚设计与工程》2024年第2期56-57,60,共3页The Journal of Fashion Design and Engineering

摘　　要：艺术社会学最早是西方19世纪20年代的产物,经过一定的发展于20世纪初传入中国,并且最早由李朴园和胡蛮将其运用于美术史的写作中。随着马克思主义文艺观在中国成为主流,艺术社会学的方法在中国艺术界中逐渐被运用到美术史的写作之中。探讨了艺术社会学在中国的发展适用性问题,并且试图寻求中国运用艺术社会学进行美术史写作的最佳路径。Art sociology was the earliest product of the West in the 1820s.After a certain development,it was introduced into China at the beginning of the 20th century,and Li Puyuan and Hu Man used it to write art history.With the Marxist view of literature and art becoming the mainstream in China,the method of art sociology gradually became in the Chinese art world,applied to the writing of art history.The applicability of art sociology in China's development was explored,and try to find the best way for China to use art sociology to write art history.

关 键 词：艺术社会学 中国美术史 马克思主义 

分 类 号：G63[文化科学—教育学]