华夷之辨的流衍:以泰山辞赋为中心  

Evolution of the Distinction between Hua and Yi:A Study of Mount Tai Cifu

作　　者：姜维枫 JIANG Weifeng

机构地区：[1]山东社会科学院文化研究所,济南山东250002

出　　处：《济南大学学报（社会科学版）》2024年第3期44-53,178,共11页Journal of University of Jinan:Social Science Edition

基　　金：山东省社会科学规划研究项目“泰山辞赋整理研究”(项目编号:21CZWJ14);“齐鲁文化英才工程”资助项目。

摘　　要：“华夷之辨”系传统中国民族关系理论之一,于历代诗文多有呈现,尤其处易代之际,激辩之声哓哓不止。泰山辞赋的华夷之辨与之不同,汉唐时期主要呈现为基于华夏中心主义的夷狄向化、以华化夷;宋元时期集中表现为华夷会同的想象与理想;明清时期则不辨华夷、不言华夷,以不辨为辨,华夷一家的民族共同体意识成为泰山辞赋创作之底色。清代泰山辞赋的创作指向主要呈现为:塑造问俗观风、勤求民瘼、孝慈亲仁之帝王形象,书写泰山自然地理形胜之美,以泰山象喻圣人圣君歌咏泰山含宏无外之人文意象。“大一统”“不辨华夷”乃中华民族共同体之必然走向。The distinction between Hua(Chinese)and Yi(foreign groups)is a traditional theory of ethnic relations in China,portrayed in poetry and literature throughout history,especially during dynastic transitions when voices of provocation and differentiation grew.However,the portrayal of Hua and Yi in Mount Tai Cifu differs.In the Han and Tang dynasties,the focus was on assimilating Yi into Chinese culture;in the Song and Yuan dynasties,integration was imagined as ideals.The Ming and Qing dynasties saw a blurring of the Hua and Yi distinction.The sense of a national community between Hua and Yi provided the backdrop for Mount Tai Cifu's creation.In the Qing Dynasty,Mount Tai Cifu aimed to depict the emperor as one who respected customs,cared for the people,and exhibited filial piety and kindness.The use of Mount Tai's imagery as a symbol of nobility and the emperor,along with praise for its natural beauty and humanistic qualities,dominated the direction of Mount Tai Cifu.The inexorable trend of the Chinese national community is towards unity without distinguishing between Hua and Yi.

关 键 词：泰山辞赋 华夷之辨 大一统 民族共同体 文化融合 

分 类 号：I222.4[文学—中国文学]