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作 者:王晚秋 曾群华 WANG Wanqiu;ZENG Qunhua(School of Architecture and Art design,Hunan University of Science and Technology,Xiangtan,Hunan,411201)
机构地区:[1]湖南科技大学建筑与艺术设计学院,湖南湘潭411201
出 处:《湖南包装》2024年第2期54-59,共6页
摘 要:家具不仅是日常生活中的必需品,也是人类社会的一种文化符号。美学思想的不同、生活方式的不同、文化传承的不同及礼仪要求的不同造就了中西家具的不同特点,体现了中西方在地域和审美等方面的差异。文章基于中西美学设计思想的差异性,通过对比分析中西家具造型,归纳中西家具在设计上的异同,并探究其产生差异的缘由。通过分析总结,为当代中国家具设计提供发展方向及理论依据。Furniture is not only a necessity in daily life,but also a cultural symbol in human society.Differences in aesthetic ideas,lifestyles,cultural heritage,and etiquette requirements have created different characteristics of Chinese and Western furniture,reflecting the differences between the East and the West in terms of geography and aesthetics.Based on the differences in Chinese and Western aesthetic design ideas,this article compares and analyzes the shapes of Chinese and Western furniture,summarizes the similarities and differences in their designs,and explores the reasons for these differences.Through analysis and summarization,it provides a development direction and theoretical basis for contemporary Chinese furniture design.
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