郭沫若早期小说中的新文学自觉——历史语境、病态书写与启蒙局限  

New Literary Consciousness in GUO Moruo’s Early Stories:Historical Context,Pathological Writing and Enlightenment Limitation

作　　者：杨春梅 王再兴 YANG Chunmei;WANG Zaixing(College of Liberal Arts,Hubei Normal University,Huangshi 435002,China)

机构地区：[1]湖北师范大学文学院,湖北黄石435002

出　　处：《湖北师范大学学报（哲学社会科学版）》2024年第3期57-65,共9页Journal of Hubei Normal University（Philosophy and Social Science）

基　　金：国家社会科学基金项目“中国乡土小说‘人民’伦理与乡建经验的变迁研究”(20BZW163)。

摘　　要：从郭沫若早期创作的小说来看,“五四”知识分子对于“个人”精神病态进行的追摹,显现出了特有的新文学自觉。另一方面,病态人物的生成本身亦内隐着“五四”启蒙的某些困境。就中国近现代历史而言,基于西方所建构的文明标准,“病人”的指称几乎宿命地被附在了当时的国人身上,带着弱国观念的“个人”也因此陷入自我身份认同的泥淖当中。从更深一层来看,病态书写不啻为现代中国知识分子对于“个人”启蒙力量的重新审视;但惋惜的是,这种本身犹疑不定的对于“自我”的审视并不能够冲破知识分子所处的困境,反而成为时代历史的余音而被遗留了下来。Among the May Fourth literary circles,GUO Moruo’s morbid writing in his stories shows the strong characteristics of the era,which revealed the self-consciousness of the intellectuals in“new literature”by their tracing of individual mentality.Meanwhile,the creation of morbid characters also implied the trouble of the May Fourth Enlightenment.Based on the civilizational standards constructed by the West,Chinese people were inevitably labeled as“patients”,and individuals thus suffered an identity crisis.Moreover,the morbid writing also could be regarded as a re-examination of“individual’s”enlightenment power by modern Chinese intellectuals.Unfortunately,the hesitant“self-examination”did not break through the existing dilemma faced by intellectuals,but remained as the tail of the May Fourth Enlightenment.

关 键 词：郭沫若小说 五四“个人” 病态书写 知识分子困境 

分 类 号：I207[文学—中国文学]