福州脱胎漆器的情感化设计策略研究  

Research on emotional design strategy of Fuzhou bodiless lacquerware

作　　者：林嘉敏 曾祥远 LIN Jiamin;ZENG Xiangyuan(School of Design,Fujian University of Technology,Fuzhou 350118,China;Research Center of Regional Intangible Cultural Heritage Inheritance and Design,Fujian University of Technology,Fuzhou 350118,China)

机构地区：[1]福建理工大学设计学院,福建福州350118 [2]福建理工大学地域非遗文化传承与设计研究中心,福建福州350118

出　　处：《福建理工大学学报》2024年第2期170-176,共7页JOURNAL OF FUJILAN UNIVERSITY OF TECHNOLOGY

基　　金：福建理工大学科研项目(GY-Z23036)。

摘　　要：福州脱胎漆器是福州的地方文化名片,但其产业发展不容乐观,日益远离人们生活。大多数漆器设计停留在对传统技艺、色彩、造型等简单的表面元素运用上,并没有深入挖掘福州脱胎漆器所蕴含的丰富传统工艺文化。根据文化三层次理论,从器物层、组织层和观念层再度定义福州脱胎漆器的工艺文化,萃取其文化基因,并且将唐纳德·诺曼的情感化设计理论映射到设计的本能层、行为层和反思层,重建“利器美材”“物以致用”“爱不释手”的当代设计策略。这种情感化设计既能丰富福州脱胎漆器设计新思路,展示福州脱胎漆器华丽而鲜活的设计语言,又能实现传统工艺文化的创造性转化和创新性发展,传播和弘扬福州脱胎漆器的文化价值与社会价值。As a local cultural card of Fuzhou,the industrial development of Fuzhou bodiless lacquerware is not optimistic and is increasingly far away from people s lives.Most of the lacquerware designs are stuck in the use of traditional techniques,colors,shapes,and other simple surface elements,without digging deeper into the rich traditional craftsmanship culture contained in Fuzhou bodiless lacquer.Through the three-level theory of culture,the craft culture of Fuzhou bodiless lacquer was redefined from the object layer,the organizational layer and the conceptual layer,and its cultural genes were extracted.Combined with Donald Norman s emotional design theory,mapping to the instinct layer,behavior layer and reflection layer of design,the contemporary design strategies of“good materials for excellent works”,“things for practical use”and“unputdownable objects”were rebuilt.It will provide new design ideas for Fuzhou bodiless lacquer,show its gorgeous and vivid design language,so as to realize the creative transformation and innovative development of traditional crafts and culture and to spread and promote the cultural and social values of Fuzhou bodiless lacquer.

关 键 词：福州脱胎漆器 工艺文化 情感化设计 

分 类 号：J528[艺术—艺术设计]