旅游空间下的技艺:基于腾冲藤编的田野考察与反思  

Craftsmanship Under Tourism Space:Field Investigation and Reflection Based on Tengchong Rattan Weaving

作　　者：王运 陈艳[2] 孙晓艳 WANG Yun;CHEN Yan;SUN Xiaoyan(School of Architectural Engineering,Sichuan University of Arts and Science,Dazhou Sichuan 635000,China;School of Arts and Media,Kunming University of Science and Technology,Kunming Yunnan 650093,China)

机构地区：[1]四川文理学院建筑工程学院,四川达州635000 [2]昆明理工大学艺术与传媒学院,云南昆明650031

出　　处：《重庆文理学院学报（社会科学版）》2024年第3期22-33,共12页Journal of Chongqing University of Arts and Sciences（Social Sciences Edition)

基　　金：云南省社科艺术学项目“云南老字号传承与创新研究”(A2020YZ17);达州市基层治理研究中心2023年度科研一般项目“达州市中心城区危旧房改造中存在的问题与策略研究”(ZL2023-19)。

摘　　要：腾冲藤编制作技艺取材考究、工艺复杂,充分体现了藤编制作传统手工艺人的匠心与智慧。对腾冲藤编制作技艺而言,对这一地方性工艺,学界还鲜有系统的研究。文章以艺术人类学为总体视角,以田野调研为基础,以旅游空间生产为腾冲藤编传承与发展的现实背景,在探析腾冲藤编历史与发展脉络的基础上,构建了“旅游空间生产+非遗”的分析框架,对腾冲藤编进行系统考察,对其传承与发展进行深度思考。The production technique of Tengchong ratan weaving is meticulously crafted and complex,fully reflecting the craftsmanship and wisdom of traditional craftsmen in rattan weaving production.There is stil lttle systematic research on the Tengchong rattan weaving technique in the local craft field.Taking the overall perspective of art anthropology,based on field research,and taking tourism spatial production as the realistic background for the inheritance and development of Tengchong rattan weaving,based on the analysis of the history and development of Tengchong ratan weaving,an analytical framework of"tourism spatial production+intangible cultural heritage"was constructed,which systematically examined Tengchong ratan weaving,and deeply reflected on its inheritance and development.

关 键 词：腾冲藤编 田野考察 旅游空间 工艺文化 

分 类 号：J528.5[艺术—艺术设计]