近代诗歌对叙事传统的归化与创通  

The Domestication and Innovation of the Tradition of Chinese Poetry Narrative in the Late Qing Dynasty

作　　者：杨绪容[1] YANG Xu-rong(School of Chinese,Shanghai University,Shanghai 200444,China)

机构地区：[1]上海大学文学院,上海200444

出　　处：《苏州大学学报（哲学社会科学版）》2024年第3期151-162,共12页Journal of Soochow University(Philosophy & Social Science Edition)

基　　金：国家社会科学基金重大项目“中国诗歌叙事传统研究”(项目编号:15ZDB067)的阶段性成果。

摘　　要：陈衍、袁昶、钱仲联等开启了从叙事角度概述近代诗史的尝试,有待于在该领域的进一步展开。近代新旧诗坛在现代性思想的积淀、现代性人格的熔铸、现代艺术技巧的发育等方面具有很多共通性,展示出新旧中西文学传统发展的内在合力。而这些特质用来概括近代诗歌的叙事传统和抒情传统都同样贴切。故在“中国诗歌叙事传统”这一大框架下对“近代诗歌叙事”的核心议题做出进一步的思考和总结,其落脚点则在于叙事伦理、叙事主体和叙事艺术诸方面。这在一定程度上也有重新认识和评价中国诗歌传统的意义。Chen Yan,Yuan Chang,Qian Zhonglian,and others have attempted to summarize the history of poetry in the late Qing Dynasty from a narrative perspective,and further exploration is needed in this field.The old and new poetry circles in the late Qing Dynasty have much in common in terms of the accumulation of modern ideas,the casting of modern personality,and the development of modern artistic techniques,demonstrating the inherent synergy of the development of old and new Chinese and Western literary traditions.These characteristics are equally appropriate to summarize the narrative tradition and lyric tradition of poetry in the late Qing Dynasty.Therefore,further reflection and summary are made on the core issues of“poetic narrative in the late Qing Dynasty”within the broad framework of the“Chinese poetry tradition”,with a focus on narrative ethics,narrative subject,and narrative art.To a certain extent,this also has the significance of re-understanding and evaluating the tradition of Chinese poetry.

关 键 词：中国诗歌叙事传统 近代诗歌叙事 归化 创通 

分 类 号：I207.22[文学—中国文学]