胡风汉造:从汉代漆器、玉器纹样也论“中原制造”  

Exotic Goods Made in the Han Dynasty:Discussion on Han-Dynasty Lacquerware and Jade Decorations and the Evidence for the Central Plains Manufacturing Theory

作　　者：陈宗瑞 Chen Zongrui

机构地区：[1]中国社会科学院考古研究所

出　　处：《考古与文物》2024年第3期93-99,共7页Archaeology and Cultural Relics

基　　金：中国社会科学院“青启”计划(编号:2024QQJH051);中国社会科学院考古研究所创新项目“隋唐长安城考古发掘与研究”(编号:2021KGYJ010)的阶段性成果。

摘　　要：动物纹是北方草原文化的重要特征之一,常被用于装饰各类金属佩饰。战国至两汉时期,中原地区出现了大量动物纹金属牌饰,这些牌饰中有一部分是中原工匠制作的。实际上中原工匠对北方系动物纹的模仿并不仅局限于各类金属牌饰,本文讨论的5件汉代漆器和玉器“胡风”明显,是“中原制造说”的重要补充,也是汉匈关系变迁以及汉代贵族好胡之风的具体体现。The animal style motif is a characteristic feature of the northern Steppe culture,and has been widely employed on various types of metal decorations.During the Warring States and Han periods,there were significant cases of metal plaques with decorations of animal motif emerged in the Central Plains;some of them were likely made by local craftsman.This article argues that the borrowing and imitation of northern animal style decoration by artisans in the Central Plains was not limited to the making of metal plaques.The author discuses five lacquerware and jade objects of the Han period,and highlights that the distinctive‘Hu’style decorations provide a strong line of evidence supporting the Central Plains manufacturing theory proposed above.These artifacts show not only the transition of the relationship between the Han and Xiongnu,but also the nobility’s obsession in exotic art style during the Han Dynasty.

关 键 词：北方系动物纹 玉牌饰 石嵌饰 漆盒 中原制造 

分 类 号：K876[历史地理—考古学及博物馆学] K234[历史地理—历史学] J120.9[艺术—艺术理论]