郭强生小说中的鬼魅书写  

Ghost Writing in Guo Qiangsheng’s Novels

作　　者：姚鑫 YAO Xin(School of Liberal Arts,Renmin University of China,Beijing 100872,China)

机构地区：[1]中国人民大学文学院,北京海淀100872

出　　处：《苏州教育学院学报》2024年第2期82-90,共9页Journal of Suzhou College of Education

摘　　要：《惑乡之人》与《断代》是台湾作家郭强生近年来最负盛名的小说,作家通过鬼魅书写展现了台湾性少数群体的生存境况,并表现出与传统鬼魅书写不同的特质。作家笔下的鬼魂与传统文本中的鬼魂相比,承载了更多的历史记忆。除精心设计鬼魂形象外,郭强生在小说中还使用了多视角与多线叙事的手法,打破故事叙事的“一元论”,呈现出驳杂与多义的叙事形态。同时,戏曲、电影、照片等异质媒介被引入叙事,使文本中真与假的界限模糊,充满了梦魇之感。死者以鬼魂方式返场,而生者则以变装方式介入,揭露同性恋群体诡异的情色关系。Taiwan Residents author Guo Qiangsheng’s People Who Confused the Hometown,and Chronicles are his most famous novels in recent years.Through ghost writing,the author portrays the living conditions of Taiwan Residents sexual minorities,and exhibits new writing characteristics that are different from traditional texts.Compared to ghosts in traditional texts,these ghosts in Guo’s works bear historical memories.In addition to carefully designing ghost images,Guo Qiangsheng also uses multi-perspective and multi-line narrative techniques in his novels,breaking the“only one”interpretation of a story and presenting a complex and polysemous aesthetic form.At the same time,opera and film are introduced as heterogeneous media in narrative,attempting to blur the boundary between truth and falsehood in the text and summon a sense of nightmare.The dead return in the form of ghosts,while the living present themselves in disguise,revealing eerie sexual relationships gay community.

关 键 词：郭强生 台湾作家 鬼魅书写 同性恋 多线叙事 幻觉剧场 男性变装 

分 类 号：I206.7[文学—中国文学]