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作 者:邹爱芳 Zou Aifang
机构地区:[1]扬州大学外国语学院
出 处:《艺术与民俗》2024年第1期70-75,共6页Journal of Arts and Folklore
基 金:2020年度江苏高校哲学社会科学基金一般项目“朝鲜文字训民正音与中国哲学思想的相关性研究”(项目编号:2020SJA1984)的阶段性成果。
摘 要:“神杆”文化渊源已久,分布广泛,是北亚和东亚地区共同的民俗文化要素。韩国的神杆被称为“Sotdae”。韩国的神杆信仰与萨满文化中的树、鸟宇宙论模式密切相关,在其发展过程中呈现出多种形态和功能,逐渐适应了韩国的农耕文化,并融入农耕社会的信仰体系。神杆祭仪是一项全体村民共同参与的农耕祭天礼仪,它强化了村落共同体意识,提升了村民的文化认同感。如今的神杆祭,更致力于民俗资源共享和公共化,是乡村民俗文化传承与发展的重要载体。The “sacred pole” culture has a long history and is widely distributed. It is a common element of folk culture in North Asia and East Asia. In Korea, these shamanistic poles are referred to as “Sotdae”. The sacred pole belief of the Korean people is closely related to the cosmological model of trees and birds in shamanic culture. It has taken on various forms and functions during its development, gradually adapted to the farming culture of Korea, and integrated into the belief system of the agrarian society. Providing offerings to the heavens, the Sotdae sacrificial rite is a communal agricultural ceremony in which all villagers actively participate. This ritual strengthens the sense of community within the village and enhances the cultural identity of its residents. Contemporary Sotdae sacred pole emphasizes the shared utilization of folk resources and the promotion of public folklorization. These rituals have become crucial carriers for the inheritance and development of rural folk culture.
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