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作 者:王海龙 高德翔 Wang Hailong;Gao Dexiang
机构地区:[1]青海师范大学音乐学院,青海810008 [2]上海师范大学天华学院,上海201815
出 处:《高原文化研究》2024年第1期104-110,共7页Plateau Culture Research
摘 要:当研究者描绘丝路乐舞这一概念时,要尽可能全面地把这一有地理、历史、文化、商贸等概念的区域碎片连接起来,串联各族群记忆的叙事内容和审美共情,诉诸挖掘其整体内驱力和心理共情(即艺术意志)并表达出来,使之由虚化转为实体,成为这一概念建构的坚实根基。就具体路径来说,研究者可以在细节佐证和内在机理的阐释下,借用有代表性的中介物质(如符号)把丝路下各乐舞叙事表达连接为一个整体,使丝路乐舞涉及的叙事在宏观上由分散的“邦联”凝和为统一的“联邦”,确保丝路乐舞概念表述的严谨性。本文采用以小见大的原则,选定具有多民族杂居代表性特点的青海地区为样本,以该地区乐舞中的符号为切入点,在丝路文化空间下分析各族群乐舞间彼此连接的脉络和机理,凸显其内涵的群体心理认同、共情审美、情感记忆等,使丝路乐舞这一概念及其艺术意志在实证中得以体现。When researchers describe the term Silk Road music and dance,they should also connect the regional fragments that implement concepts such as geography,history,culture,commerce,etc.as comprehensively or as focused as possible,and connect the narratives of the memories of various ethnic groups.The content and aesthetic empathy are resorted to explore and express the overall inner drive and psychological empathy(ie.artistic will).Only in this way can it be transformed from virtuality into reality and become a solid foundation for the construction of this concept.As for the specific path,researchers can use representative intermediary materials(such as symbols)to connect the narrative expressions of various music and dances under the Silk Road into a whole,with detailed evidence and explanations of internal mechanisms,so that the narratives involved in Silk Road music and dance can be integrated into a whole.At the macro level,the scattered"confederacy"is condensed into a unified"federation"to ensure the rigor of the conceptual expression of Silk Road music and dance.This article adopts the principle of seeing the big from the small,and selects Qinghai as a sample,which has the representative characteristics of multi-ethnic mixing.Taking the symbols in the music and dance in this area as the starting point,it analyzes the connection between the music and dance of various ethnic groups in the Silk Road cultural space.and mechanism,highlighting its connotation of group psychological identity,empathic aesthetics,emotional memory,etc.,so that the concept of Silk Road music and dance and its artistic will can be reflected in the empirical evidence.
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