朱光潜美学语义思想探析  

A Study of Zhu Guangqian’s Aesthetic Understanding of Language Meaning

作　　者：范庆芬 FAN Qingfen

机构地区：[1]中国药科大学外国语学院,南京211198

出　　处：《上海交通大学学报（哲学社会科学版）》2024年第5期108-119,共12页Journal of Shanghai Jiao tong University(Philosophy and Social Sciences)

基　　金：安徽省社会科学普及规划项目(LZ201906);中国药科大学高层次人才启动项目(3150090003)。

摘　　要：朱光潜作为美学家有着丰富的语言学思想,从美学角度对语言意义提出了不少深刻见解。本文通过对朱光潜美学思想中论述语言的部分进行分析,认为其意义观既受西方美学影响,也融合了中国传统美学思想,从语言本体角度阐发了美之视域中的语言——意象、适宜的心理距离与无言之美。与现代语言学关于语言意义的思想相比较,朱光潜的美学语义思想对长期以来在科学导向下研究语言系统的现代语言学有着重要的借鉴意义。As an important master in aesthetics,Zhu Guangqian has many profound thoughts of language,some of which discuss meaning construction from the angle of aesthetics.This paper,analyzing the part of his aesthetic thought on language,believes that his concept of semantics is not only influenced by Western aesthetics,but also integrates traditional Chinese aesthetic thoughts,and has actually explains ontologically language in the aesthetic sense,which lies in image,the proper psycho distance,and silence.A comparison with modern linguistic thoughts on meaning shows that this aesthetic perspective of meaning construction in language distinguishes from the modern language study,and will enlighten modern linguistics about its scientific orientation which only focuses on language system.

关 键 词：朱光潜 美学视角 语言系统 语义 

分 类 号：B83-0[哲学宗教—美学]