传统地域文化审美对现代产品设计的启示--以良渚文化为例  

The Enlightenment of Traditional Regional Culture Aesthetics to Modern Product Design--Take Liangzhu Culture as an Example

作　　者：尚之军 SHANG Zhijun(Jilin University,Changchun 130012,China)

机构地区：[1]吉林大学,吉林长春130012

出　　处：《鞋类工艺与设计》2024年第9期145-147,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：现代产品在造型上更多受限于机器技术的制约,极简风格产品更加符合现代人们的审美,使得现代产品在造型上造型趋于大同,在被商业过度包裹的设计中,产品越来越流于表面,缺失内在价值与精神信仰。艺术设计区别于工业制造的是,它把产品作为传递精神信息的媒介,赋予产品灵魂生命,使其能够在时间的长河中得以延续。良渚文明作为中华大地上已知最早的国家,有着独特的美学理解,从出土的良渚玉器和陶器等手工产品看,它们更多的是身份的象征,信仰的载体,体现对于器物美感的追求。在对良渚文化的研究中,可以弥补现代产品所缺失的内在价值,对现代产品设计有着积极作用。Modern products are more restricted in the shape of machine technology,minimalist style products are more in line with modern people's aesthetic,making modern products in the shape of the shape tends to be the same,in the commercial over-wrapped design,products are more and more superficial,lack of internal value and spiritual beliefs.Art design is different from industrial manufacturing in that it takes the product as a medium to convey spiritual information,giving the product soul life,so that it can continue in the long river of time.Liangzhu civilization,as the earliest known nation on the land of China,has a unique aesthetic understanding.From the unearthed Liangzhu jade and pottery and other handmade products,they are more symbols of status and carriers of belief,reflecting the pursuit of beauty of the artifacts.In the study of Liangzhu culture,it can make up for the missing intrinsic value of modern products and play a positive role in modern product design.

关 键 词：产品设计 传统文化 良渚文明 中国哲学 

分 类 号：TB472[一般工业技术—工业设计]