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作 者:刘翔 LIU Xiang(School of Chinese Language and Literature,Suzhou Universityof Science and Technology,Suzhou 215000,China)
出 处:《西安建筑科技大学学报(社会科学版)》2024年第2期78-84,共7页Journal of Xi'an University of Architecture & Technology(Social Science Edition)
基 金:国家社科基金重大招标项目“中国现代文学名著异文汇校、集成及文本演变史研究”(17ZDA279)。
摘 要:李劼人“大河小说”三部曲最后一部就是《大波》。《大波》存在两个迥然不同的版本谱系:中华书局1937年出版,故事内容相对完整,称为旧版《大波》;作家出版社1958年至1963年陆续出版,尚未写完作家就撒手人寰,是为新版《大波》。不同的版本特质表征着差异化的价值取向,旧版《大波》精于展示饮食男女和市井生活,革命历史是背景。新版《大波》专注描绘壮阔的革命历史图卷,世情“风俗史”成了陪衬。针对两版《大波》之间的版本联系,不同于字词与段落的调整与删改,李劼人明确提出了“重写”的概念。对《大波》重写过程的研究与挖掘,更能体现其版本批评的综合性特点。There are two totally different versions of The Great Wave,the last work of Li Jieren's trilogy of“The Great River Novel”.The older version of The Great Wave,published in 1937 by Zhonghua Book Company,has a relatively complete story.The new version of The Great Wave was published as a series of works by The Writer's Publishing House from 1958 to 1963,but it was not completed before the death of the author.The different characteristics of two versions represent differentiated value orientations.The old version shows the natural instincts of man and the street life with revolutionary history as the background and the new version focuses on depicting a magnificent revolutionary history with the“customs and local conditions”as a foil.By comparing the two versions of The Great Wave,the paper holds that Li Jieren clearly put forward the concept of“rewriting”instead of adjusting and deleting the words and paragraphs.The study and exploration of the rewriting process of The Great Wave can better reflect the comprehensive character of version criticism.
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