论泰戈尔与郭沫若泛神论思想的相似性及其美学意义  

On the Similarity and Aesthetic Significance of Tagore and Guo Moruo's Pantheism

作　　者：卢赛男 LU Sai-nan(Guangdong Literature and Art Vocational College,Guangzhou 510515,China)

机构地区：[1]广东文艺职业学院,广州510515

出　　处：《嘉应学院学报》2024年第2期56-59,共4页Journal of Jiaying University

基　　金：国家社科基金项目“西方马克思主义文化批判理论范式与审美精神研究”(17AZW002)。

摘　　要：泰戈尔的诗歌中充满着人与自然相融合的人文情怀,泛神论思想在泰戈尔的诗歌中影响深远。郭沫若是中国“五四”时期深受泛神论影响而出现的一位浪漫主义诗人,其诗歌代表了“五四”一代人的精神面貌,呼喊出了时代的最强音。笔者将试从泰戈尔和郭沫若泛神论思想的形成历程,泛神论思想在他们诗歌中与自然的融合以及与人的融合三个方面来论述泰戈尔与郭沫若诗歌中泛神论思想的相似性及其美学意义。Tagore's poems are full of humanistic feelings of integration between man and nature.Pantheism has a profound influenceinTagore's poems.Guo Moruo was a romantic poet who was deeply influenced by pantheism during the May 4th Movement of China.Hispoems represented the spiritual outlook of the May 4th Movement and shouted out the strongest voice of his era.This paper will trytodiscuss the similarities of the pantheism in Tagore and Guo Moruo's poems and its aesthetic significance from three aspects:theformation process of pantheism thought,the integration of pantheism with nature and people in their poems.

关 键 词：泰戈尔 郭沫若 诗歌 泛神论思想 相似性 

分 类 号：I207.2[文学—中国文学]