“围观者”视角与《点石斋画报》的视觉现代性建构  

Perspective of“Onlookers”and the Construction of Visual Modernity in Dian Shizhai Pictorial

作　　者：赖莹莹 张伟 LAI Yingying;ZHANG Wei

机构地区：[1]广东外语外贸大学中国语言文化学院,广州510420

出　　处：《浙江艺术职业学院学报》2024年第1期109-114,共6页Journal of Zhejiang Vocational Academy of Art

基　　金：教育部人文社科项目“视觉修辞与《点石斋画报》的‘现代性’启蒙研究”阶段性成果。(项目编号:22YJC751018)。

摘　　要：《点石斋画报》是晚清最具影响力的新式新闻画报,作为中国视觉现代性的最初呈现,它在视觉图式上的变革深刻影响了观者的视觉感知方式。画报凭借“围观者”的视角形成了具有固定视觉中心的图像结构并增强了图像叙事的真实感,从而引导观者组织视线,从中获得“代入感”般的观看体验,并以“围观者”作为自我观照的对象来构建对外部世界与自我的理性认识。“围观者”的视角设计为搭建画报与观者的沟通平台进而引发观者的情感共鸣提供了独特的图像叙事策略。Dian Shizhai Pictorial is the most influential modern news pictorial in late Qing Dynasty.As an initial presentation of China’s visual modernity,its change in visual pattern profoundly affects the modes of visual perception.With the perspective of“onlookers”,the pictorial establishes an image structure with a fixed visual center and enhanced the authenticity of image narration.This effectively directs viewers to organize their gaze,providing an immersive viewing experience and utilizing the“onlooker”as a self-reflective object to construct rational understanding of the external world and oneself.The design of the“onlookers”perspective provides a unique image narrative strategy for building a communication platform between the pictorial and the viewers,thus triggering the emotional resonance of the viewers.

关 键 词：《点石斋画报》 围观者 视觉现代性 视觉感知 

分 类 号：J209[艺术—美术]