陈维崧的词学思想与词体艺术品格的开拓  

Chen Weisong's Ci Poetry Studies and the Development of Ci Artistic Characteristics

作　　者：王毅 WANG Yi(College of Humanities,Yangzhou University,Yangzhou 225002,China)

机构地区：[1]扬州大学文学院,江苏扬州225002

出　　处：《哈尔滨工业大学学报（社会科学版）》2024年第3期101-109,共9页Journal of Harbin Institute of Technology(Social Sciences Edition)

摘　　要：陈维崧是清初少有的词体创作和词学理论兼擅的杰出文学家。陈维崧的词学思想是其词心重要的组成部分,是其生生不息的创作力的源泉。陈维崧打破了传统以词体比附诗体的尊体策略,提出“为经为史”的词学主张;在创作论方面,强调寄托的技法以适应词意内言外的复调特质,并对创作主体提出“思”“气”“变”“通”的严格要求;在风格论方面,正体与变体兼容,纤柔婉娈和雄阔豪放并重。除此之外,陈维崧倡导复“艳”为雅和推崇“清”的艺术品格,推动了词体的雅化进程。Chen Weisong was one of the few outstanding literary figures in the early Qing Dynasty,excelling in both Ci poetry composition and Ci literary theory.His Ci literary thought were an integral part of his Ci poetry,and served as the wellspring of his creative power.Chen Weisong broke away from the traditional appraoch of comparing Ci poetry to Shi poetry,and advocated for a Ci literary theory centered around“Viewing Ci Poetry as Classics and History”.In terms of creative theory,Chen emphasized the techniques of“Jituo”(expressing multiple meanings)to accommodate the polyphonic narue of Ci poetry,where the words carry both literal andmetaphorical meanings.He also set strict requirements for the creative subject,emphasizing the elements of“Thought”“Spirit”“Change”and“versatility”.Regarding stylistic theory,Chen embraced both traditional and innovative forms,balancing the delicate and graceful with the bold and unrestrained.Beyond that,,he advocated for the transformation of the conventional“Yan”(glamboyant)style into a more refined and elegant aesthetic,while promoting the srtistic character of“Qing”(clarity).His ideas played a significant role in advancing the refinement of Ci artistic style.

关 键 词：陈维崧 词心 尊体 “为经为史” 雅化 

分 类 号：I207.23[文学—中国文学]