论宋代瓷器的艺象创构  

On the Artistic Conception of Porcelain in the Song Dynasty

作　　者：李金来 LI Jinlai(College of culture and media,Guiyang University,Guiyang 550005,China)

机构地区：[1]贵阳学院文化传媒学院,贵州贵阳550005

出　　处：《广西科技师范学院学报》2024年第1期37-44,共8页Journal of Guangxi Science & Technology Normal University

基　　金：国家社会科学基金艺术学西部项目“宋元时期中泰瓷器艺术比较研究”(18EG218)。

摘　　要：艺象是器物美学的物质媒介。艺象创构是宋代瓷器的艺术创造特征。物象物感和艺象美感是宋代瓷器艺象创构的审美表征。宋代原初语境中文化哲学、艺术消费、审美心理、烧制技能、手艺传承和材料质性等因素制衡瓷器的艺象创构。道器合一、穷形尽相和气韵生动作为宋代瓷器艺象创构的文化蕴藉、工艺特征和审美风尚,使得瓷器艺象具有神与物游、形意结合、物我交融和心领意会的审美文化风致。The artistic image is the material medium of object aesthetics.Its creation is the artistic creation characteristic of the Song Dynasty porcelain.The sense of objects and beauty of artistic images are the aesthetic representation of the creation of artistic images of porcelain in the Song Dynasty.Cultural philosophy,firing skills,craft inheritance and material quality in the original context in this Dynasty balance its artistic image creation.The culture restricts the art,the song dynasty porcelain contains the philosophy and the reason interest,with the simple modelling,vivid spirit charm and abundant significance.As the practice form of Chinese art spirit,the combination of morality and ware,vivid detail,aesthetic image and spirit have the aesthetic value of“travel between gods and things”and“handsome and wonderful appreciation”,which are the accepting aesthetic characteristics of the porcelain in this dynasty.

关 键 词：宋代瓷器 艺象创构 道器合一 穷形尽相 气韵生动 

分 类 号：I01[文学—文学理论]