中国电影美学体系的建构问题  

The Construction of the Aesthetic System of Chinese Cinema

作　　者：贾磊磊 Jia Leilei

机构地区：[1]海口经济学院南海艺术与科技学院

出　　处：《复印报刊资料（影视艺术）》2023年第12期3-9,共7页MOVIE AND TELEVISION ART

摘　　要：电影美学体系的理论建构不是一般意义上关于电影艺术特质的讨论,也不是关于具体影片美学风格的评论,而是特指将中国电影的本质属性上升到学科建构层面展开的电影理论研究。体系的原初含义是指按照特定的逻辑序列建构的,具有完整性、统一性、总体性的思想形态。理论体系的形式构架是按照概念一范畴一命题的逻辑序列来建立的。其中,概念是理论体系的基石,范畴是在概念基础上的主体内容,命题是基于概念与范畴所提炼出来的核心问题。The theoretical construction of a film aesthetic system is not a discussion of the artistic qualities of film in the general sense,nor a comment on the aesthetic style of a specific film,but specifically refers to the theoretical study of film that raises the essential attributes of Chinese cinema to the level of a discipline.The original meaning of system refers to the ideological form with completeness,unity and totality constructed according to a specific logical structure.The formal structure of the theoretical system is built according to the logical sequence of concepts-categories-propositions.Among them,the concept is the cornerstone of the theoretical system,the catagory is the main content built on the basis of the con-cept,and the proposition is the core issue derived from the concept and the category.

关 键 词：中国电影美学体系 学科建构 理论体系 

分 类 号：J901[艺术—电影电视艺术]