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作 者:易淑琼[1] Yi Shuqiong
机构地区:[1]暨南大学图书馆世界华侨华人文献馆
出 处:《华文文学》2024年第2期31-40,共10页Literatures in Chinese
基 金:国家社科基金重大项目“东南亚华文文学史料专题研究、分类编纂及数据库建设”,项目批准号:22&ZD272。
摘 要:中国内地改革开放以来,马来西亚的旅华书写经历了从1990年代观光热中的“神州”书写到2000年代后马华留学生中国“在地”书写的阶段性变化。本文选取的四位留学内地的马华女作家其“在地”书写聚焦于北京、南京两座城市,表现出深浅不一的中华文化涵融,她们各具书写个性的文化“混血”式和比较性“在地”审美“凝视”,摒弃了1990年代“神州”书写某种微妙的优势居位的“祛魅”与解构,赋予各自旅居的城市以“地方感”,为马华社会重构作为“异乡”的文化原乡和人文“地方”,实际上也新生成了中国内地城市的“地方感”。其书写同时凸显了马华知识女性的跨域生命经验和自我主体意识,伸展着现代性心灵自由,包容、谦卑、柔软的对话式叙事笔调折射出由跨域文化交流延展出的开放性。Since China opened itself up and reformed,writing about journeys to China in Malaysia has experienced a staged change from that about the Divine Land in the tourist craze in the 1990s to the post-2000 when Chinese Malaysian students wrote in-situ in China.As chosen in this paper,four Chinese Malaysian women writers who studied in China and wrote in-situ were situated in the two cities of Beijing and Nanjing,who expressed contents and cultivation of Chinese culture to varying degrees as each of them was equipped with the writing individual’s cultural hybridity,and comparative aesthetic gaze at the place,abandoning the disenchantment and deconstruction in the subtle advantageous position of the Divine Land writing of the 1990s by endowing their respective cities with a sense of the local,reconstructing the original cultural land as the other land and humanitarian place for the Chinese Malaysian society,in fact giving new birth to the sense of the local about the Chinese mainland cities.Their writings simultaneously accentuate the trans-regional living experience and self subjectivity of the Chinese Malaysian women intellectuals,the dialogic narrative that spreads the modern heart-felt freedom,tolerance,humility and softness reflecting the openness extended from the trans-regional cultural exchange.
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