国家文化形象的自塑——以威尼斯双年展中国馆为例  

Build National Cultural Image:Taking the China Pavilion at the Venice Biennale as an Example

作　　者：万幸福 Wan Xingfu(Nanjingg University of the Arts)

机构地区：[1]南京艺术学院美术学院

出　　处：《美术》2024年第5期52-57,共6页Art Magazine

摘　　要：为了应对全球化所造成的文化同质化危机,对文化“差异性”的强调不仅是当代艺术的重要命题,也是长期处于话语权支配下的国家和民族实现身份认同、重申文化主体性的重要内容。从这个角度出发,中国馆展览对国家文化形象的自塑主要集中在两个方面:对民族文化资源的挪用和对本土现实问题的关注。需要关注的是,对文化“差异性”的强调并不是出于狭隘的民族主义立场,而是期望能以自身的文化经验为基础,进而回应世界和人类所面临的问题。To cope with the cultural homogenization crisis caused by globalization,the emphasis on cultural“differences”is not only an important theme in contemporary art,but also an important way for countries and nations that have long been dominated by discourse power to build their identity and reaffirm their cultural subjectivity.In this sense,the China Pavilion helps build national cultural image mainly from two perspectives:using national cultural resources and paying attention to local practical issues.What is noteworthy is that cultural“differences”are emphasized not from the narrow stance of nationalism,but for dealing with problems faced by the world and humanitybased on cultural experience.

关 键 词：威尼斯双年展 中国国家馆 民族文化资源 国家文化形象 

分 类 号：J114[艺术—艺术理论]