奔走与救亡——“中华全国漫画作家协会”演变考  

Relentless Efforts and Salvation:An Examination on the Evolution of All-China Cartoonists Association

作　　者：刘其让 Liu Qirang(Shanghai Academy of Fine Arts,Shanghai University)

机构地区：[1]上海大学上海美术学院

出　　处：《美术》2024年第5期84-93,共10页Art Magazine

摘　　要：1937年成立于上海的“中华全国漫画作家协会”因抗战爆发几度更名,在奔走呼号的漫漫救亡路上,漫画家们运用漫画创作“直白简快”“便于传播”的艺术特点,结合战况态势更替宣传模式,揭发日寇的罪恶与反动势力的绥靖,有效地动员了普罗大众加入抗战队伍,为抗战胜利贡献了强有力的宣传导向作用,其间对于“蒋家王朝”的披露更掀起了漫画创作的另一个高潮。梳理这段辗转曲折的漫画发展史,不仅能钩沉出抗战漫画运动的来龙去脉,也能从侧面反映出20世纪美术图景中社团组织所发挥的重要作用。All-China Cartoonists Association,founded in Shanghai in 1937,changed its name several times due to the outbreak of the War of Resistance against Japanese Aggression.On the long journey of salvation,cartoonists took advantage of cartoons,which were simple and quick to create,and easy to understand and spread,to adjust their publicity models according to war situation and expose the atrocities of Japanese aggressors and the appeasement of reactionary forces.In this way,they effectively mobilized the general public to fight the War of Resistance,and contributed to the victory of the War with publicity and guidance.In this process,the disclosure of the“Chiang Dynasty”brought cartoon creation to another climax.Efforts to sort out the twists and turns in cartoon development can not only make clear the history of cartoon movements during the War of Resistance,but also reflect the important role of societies and organizations in art in the 2oth Century.

关 键 词：中华全国漫画作家协会 美术社团 抗战漫画 

分 类 号：J218.2-2[艺术—美术] K26[历史地理—历史学]