新意境新风貌——新时期北大荒版画的审美嬗变  

New Artistic Conception and New Style:Aesthetic Evolution of Beidahuang Prints in the New Era

作　　者：孙一溶 林铓[1] Sun Yirong;Lin Mang(College of Art and Design,Jilin Jianzhu University)

机构地区：[1]吉林建筑大学艺术设计学院

出　　处：《美术》2024年第5期142-145,共4页Art Magazine

摘　　要：新时期北大荒版画创作不仅重新激活了前两代版画家的创作潜能,而且催生了第三代“小北大荒人”青年版画家,形成了老、中、青三代版画家同场竞技的活跃局面,持续在创作模式、情感深度以及版画艺术语言层面展现出更为自主的风格和更加多元的形态,构成了彰显新时期东北群众生活与社会面貌的当代审美表达。The creation of Beidahuang prints in the new era has not only invigorated the previous two generations of printmakers,but encouraged the third generation of young printmakers,also known as"young Beidahuang artists".At present,the creation of senior,middle-aged and young printmakers features more free styles and more diverse forms in creation models,emotional expressions and print art language,depicting daily life and social environment in northeast China in the new era in a contemporary andaestheticway.

关 键 词：北大荒版画 套色木刻 新时期美术 

分 类 号：J217[艺术—美术]