触摸声音:武满彻电影音乐创作中的声音探索  

Touching Sound:Sound Exploration in Toru Takemitsu's Film Music Creation

作　　者：陈明[1] Chen Ming

机构地区：[1]上海音乐学院,上海200031

出　　处：《音乐艺术（上海音乐学院学报）》2024年第2期149-161,共13页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：武满彻在电影音乐创作中使用的声音类型较为广泛,除西方管弦乐器声音、日本民族乐器声音、磁带音乐声音、电子乐器声音外,还运用了域外乐器声音、日常物品声音,以及用电子音乐技术改造生成的声音。在此基础上,他将这些声音复合形成独特且充满个性的声音,并将声音“符号化”用以指向特定意义,进而彰显电影深层次的意涵。以声音为切入口进行创作,是武满彻电影音乐的主要特征之一,也是构成武满彻电影音乐风格的重要因素。Toru Takemitsu used a wide range of sound types in the creation of film music,In addition to the sounds of Western orchestral instruments,Japanese national instruments,tape music,and electronic instruments,he also uses the sounds of foreign instruments,everyday objects,and sounds transformed by electronic music technology.In addition,he combined these sounds to form a unique and full of personality sound,and the sound"symbolization",to point to a specific meaning,and then highlight the deep-seated meaning of the film.It is one of the main features of Toru Takemitsu's film music to create with sound as the entry point,and it is also an important factor in the style of Toru Takemitsu's film music.

关 键 词：武满彻 电影音乐 声音 探索 实践运用 

分 类 号：J617.6[艺术—音乐]