新媒介时代的文学批评话语转型及其精神品格建构  

The transformation of literary criticism discourse and its spiritual character construction in the new medium era

作　　者：杨向荣 Yang Xiangrong

机构地区：[1]杭州师范大学人文学院,浙江杭州311121 [2]杭州师范大学文艺批评研究院,杭州311121 [3]杭州师范大学美学与艺术批评研究中心,杭州311121

出　　处：《东岳论丛》2024年第5期41-47,191,共8页DongYue Tribune

基　　金：国家社会科学基金重点项目“齐美尔美学艺术学思想研究”(项目编号:21AZD106)阶段性成果。

摘　　要：数字化的新媒介时代开启了一个迥异于传统的新文学场域,带来了文学内涵的嬗变和文学边界的位移,也带来了文学审美现实的变迁,以及文学批评话语的转型。新媒介时代的到来要求我们以一种开放的眼光来审视文艺现象,要在研究中融汇中西、融合古今,吸收不同的理论资源来建构当下文学批评话语的精神品格。合理利用新媒介的技术向度,坚守本土经验立场,坚持批评的审美性、复调性和批判性品格,是建构当下文学批评理论话语精神品格的关键所在。With the popularization and application of Internet technology,as well as the emergence of big data and artificial intelligence,a new medium era of digitalization has been opened.As a new literary field different from the traditional ones,the new medium era has brought about the evolution of literary connotation and the displacement of literary boundary,as well as the change of literary aesthetic reality and the transformation of literary critical discourse.The advent of the new medium era requires us to examine literary and artistic phenomena with an open vision,blend China and the West,merge ancient and modern,and absorb different theoretical resources to construct the spiritual character of current critical discourse.Rational use of the technical dimension of new medium,adherence to the local experience standpoint,and adherence to the aesthetic,polytonality and critical character of criticism,are the key to constructing the spiritual character of the theoretical discourse of contemporary literary criticism.

关 键 词：新媒介时代 文学批评 话语转型 精神品格 

分 类 号：I02[文学—文学理论]