民国时期上海武侠电影《火烧红莲寺》在台湾地区的传播与接受  

A Study on the Spread and Acceptance of Shanghai Martial Arts Films Burning the Red Lotus Temple in Taiwan region during the Republican Period

作　　者：黄茜 Huang Qian

机构地区：[1]厦门大学台湾研究院

出　　处：《台湾历史研究》2024年第2期91-100,共10页Taiwan History Studies

基　　金：2019年度国家社科基金重大攻关项目“百年台湾文学中的中华民族叙事研究”(19ZDA279)阶段性成果。

摘　　要：明星影片公司在1928年摄制的《火烧红莲寺》,是民国时期上海武侠电影的代表作,1930年初传入台湾地区,在当地引发强烈反响。一方面,由于其情节和画面上的趣味性、奇观性,受到台湾地区当地观众的热烈欢迎;另一方面,一部分台湾地区知识分子基于现代性的立场,批评影片的迷信、荒诞和技术落后等。有趣的是,《火烧红莲寺》不光本身长时间在台湾地区上映,它还与台湾地区民间文艺相结合,衍生出相应题材的歌仔戏。通过对《火烧红莲寺》在台湾地区的传播与接受的研究,揭示了武侠电影除开有通俗、娱乐、商业等一般特性,还因在台湾地区的殖民地语境下,产生了抵抗日本殖民统治和增强中华民族认同的政治文化意涵的特殊性,从而也为通俗文艺增添了新的分析维度。The film Burning the Red Lotus Temple,produced by the Star Film Company in 1928,is a representative work of martial arts films in Shanghai during the Republican period.In the early 1930s,Burning Red Lotus Temple was released in Taiwan region.It received a warm welcome from the local audience.Also,it sparked a response,with some Taiwan's region intellectuals criticizing the film's superstition,absurdity,and technological backwardness based on the standpoint of modernity.Interestingly,Burning the Red Lotus Temple combines Taiwan's region folk literature and art,resulting in the corresponding theme of Taiwan region folk opera.The issue of dissemination and acceptance of Burning the Red Lotus Temple in Taiwan region revealed that martial arts films not only had cultural properties such as popularity,entertainment,and commerce but also enhanced a Chinese national identity,resisting Japan's colonization in the Japan-occupied colonial context.It also added new analytical dimensions to popular literature and art.

关 键 词：《火烧红莲寺》 武侠电影 台湾地区 民族认同 

分 类 号：J905[艺术—电影电视艺术]