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作 者:莫小不[1] MO Xiaobu(School of Fine Arts,Hangzhou Normal University,Hangzhou 310002,China)
出 处:《美育学刊》2024年第3期94-105,共12页Journal of Aesthetic Education
摘 要:古玺文字的美,长期以来并未受到足够的重视。文字构形的美和篆刻结字的美,是文字美的两个层面。通过分析这两者的联系与区别,可更全面地理解古玺文字的构形美,包括丰富性美、象形性美、装饰性美、工致性美、简约性美以及联想性美。同时,古玺文字美也具备美学和传承等价值。The beauty of ancient seal characters has long been underappreciated.The beauty of character configuration and the beauty of seal carving composition are two aspects of the overall aesthetic appeal of characters.By analyzing the connections and differences between these two aspects,there is a more comprehensive understanding of the configuration beauty of ancient seal characters,including the beauty of richness,iconicity,ornamentation,delicacy,simplicity,and associativity.Furthermore,the beauty of ancient seal characters also possesses aesthetic and inheritance values.
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