创伤与成长:《铃芽之旅》的隐喻意象表达  

Trauma and Growth:Metaphorical Imagery Expressed in the Journey of the Suzume

作　　者：张紫涵 许爱珠 Zhang Zihan;Xu Aizhu(East China Jiaotong University,Nanchang 330013,P.R.China)

机构地区：[1]华东交通大学,江西南昌330013

出　　处：《江西科技师范大学学报》2024年第2期85-91,共7页Journal of Jiangxi Science & Technology Normal University

基　　金：江西省高校人文社会科学研究2021年度规划项目“国产动画电影的文化价值与艺术创新研究”(编号:YS21104)。

摘　　要：“世界系”是近年来在日本小说和影视作品中较为常见的一种作品类型。《铃芽之旅》是新海诚基于宏大叙事消解的后现代背景对现实灾难进行省思的“世界系”作品。作品沿袭了“新海诚式”的漫画·动画性的现实主义,将拟宏大叙事和日常生活叙事通过虚构世界联系起来,使集体创伤性记忆与文化联结。故事运用“隐喻”意象如门、蚓厄、三角椅等,折射出具有区域性的民俗文化内涵和普遍性的现实问题,反思了人与自然的关系和后现代人群的精神状态,体现了新海诚作为创作者的意识转型和责任感。"world type"is a genre that has become more common in Japanese novels and films in recent years.The Journey of Suzume is a work of Makoto Shinkai's"world type"that reflects on real-life disasters in a postmodern context where grand narratives have been dissolved.The work follows the"Makoto Shinkai-style"manga-anime realism,linking proposed grand narratives and daily life narratives through an imaginary world,and connecting collective traumatic memories with culture.The story uses"metaphorical"imagery such as doors,earthworms,and triangular chairs to reflect regional folk cultural connotations and universal realities,reflecting on the relationship between human beings and nature as well as the state of mind of post-modern people,reflecting Makoto Shinkai's transformation of consciousness and sense of responsibility as a creator.

关 键 词：《铃芽之旅》 世界系 灾难叙事 隐喻意象 

分 类 号：J905[艺术—电影电视艺术]