从“被吃者”到“吃人者”——悲剧理论视域下《金锁记》人性解读  

From the Prey to the Predator——The Humanity Interpretation of The Golden Cangue in the Perspective of Tragic Theory

作　　者：严娱婷 黄红春[1] YAN Yuting;HUANG Hongchun(School of Humanities,Nanchang University,NanchangJiangxi 330031,China)

机构地区：[1]南昌大学人文学院,江西南昌330031

出　　处：《文化创新比较研究》2024年第11期1-5,共5页Comparative Study of Cultural Innovation

摘　　要：张爱玲《金锁记》的主人公曹七巧充满了悲剧意味。张爱玲本人认为曹七巧是一个“彻底的人物”,但由于人性的复杂性,曹七巧身上依然具有许多“不彻底性”。因此,直接将曹七巧的原真本性定义为“残缺”存在一定的争议。该文以亚里士多德的悲剧理论为切入点,围绕着情节的“突转”与“发现”,深入分析曹七巧的人性转变及隐藏在背后的人性哀歌,可知人物只是在反复的幻象重构与破灭的过程中才最终走向异化,由原来的“被吃者”转变为一个面目可憎的“吃人者”。这也是一个人性被践踏、变衰微,并最终灭亡的过程,折射出张爱玲本人对于人性苍凉的思考。Cao Qiqiao,the main character of Eileen Chang's The Golden Cangue,is full of tragedy.According to Eileen Chang,Cao Qiqiao is a"complete character",but due to the complexity of human nature,Cao Qiqiao still has many"incompleteness".Therefore,it is controversial to directly define Cao Qiqiao's original nature as"defective".Taking Aristotle's tragic theory as an entry point,and focusing on the"peripeteia"and"anagnorisis"of the plot,this paper will provide an in-depth analysis of Cao Qiqiao's transformation in her human nature and the tragedy hidden behind it.It can be seen that the character is only in the process of repeated illusion reconstruction and destruction that she finally becomes alienated,transforming from the original prey to a repulsive predator.This is also a process of human nature being trampled on,becoming weakened,and eventually perishing,reflecting Eileen Chang's own thoughts on the desolation of human nature.

关 键 词：悲剧理论 《金锁记》 不彻底性 突转 幻象 苍凉 

分 类 号：I207.42[文学—中国文学]