传统戏曲演唱技巧在民族声乐中的应用研究——以《断桥遗梦》为例  

On the Application of Traditional Opera Performance Techniques in Ethnic Vocal Music——A Case Study of “Dream of Broken Bridge”

作　　者：王莹莹[1] WANG Ying-ying(Shenyang Conservatory of Music,Shenyang 110000,China)

机构地区：[1]沈阳音乐学院,辽宁沈阳110000

出　　处：《哈尔滨学院学报》2024年第5期113-116,共4页Journal of Harbin University

摘　　要：传统戏曲是中国民族声乐的重要组成部分,对传统戏曲演唱技巧的传承和发展,将推动民族声乐向更高的艺术高度迈进。传统戏曲演唱技巧源于中国古代音乐的传统,包括曲调的变化、音域的运用、音乐节奏的控制等,将这些技巧应用于民族声乐中会使演唱更富有戏剧性和感染力。因此,在现代民族声乐发展中,应吸收和融入传统戏曲演唱技巧,以使民族声乐更加多样化和富有个性。Traditional Chinese opera is an important component of Chinese national vocal music.The inheritance and development of traditional opera singing techniques will promote national vocal music to a higher artistic level.The traditional singing techniques of traditional Chinese opera originate from the traditions of ancient Chinese music,including changes in melody,use of vocal range,and control of musical rhythm.Applying these techniques to ethnic vocal music will make singing more dramatic and infectious.Therefore,in the development of modern ethnic vocal music,traditional opera singing techniques should be absorbed and integrated to make ethnic vocal music more diverse and personalized.

关 键 词：传统戏曲 演唱技巧 民族声乐 《断桥遗梦》 

分 类 号：J616.2[艺术—音乐] J805