论荀子“性伪合一”的艺术装饰观  

On Xunzi’s Idea of Art Decoration of “Unity of Intrinsic Nature and Acquired Nature”

作　　者：郝晓红 HAO Xiaohong(Design Department,Taiyuan Normal University,Jinzhong 030619,China)

机构地区：[1]太原师范学院设计系,山西晋中030619

出　　处：《太原师范学院学报（社会科学版）》2024年第2期23-29,共7页Journal of Taiyuan Normal University:Social Science Edition

基　　金：山西省教育科学“十三五”规划2020年度劳动教育专项课题“审美视域下高校劳动教育研究”(LD-20018)。

摘　　要：“化性起伪”是荀子人性论的基础,同时也成为荀子艺术装饰观的理论基石。“无伪则性不能自美”,荀子对性伪关系的论述解释了艺术装饰的起源、重要性及限度。在荀子语境下,礼乐作为圣人化性起伪的产物,是性与伪、情与文的合一,是艺术装饰的表征。礼以养人,艺术装饰是为了人与自身、人与社会、人与自然的和谐。荀子“性伪合一”的艺术装饰观延续了儒家中庸中和的审美和艺术追求,继承和发展了孔子“文质彬彬”的观念。荀子既肯定了艺术装饰即“伪”存在的意义,又反对脱离“性”的“伪”,将“起伪”建立在“化性”之上,从而消解了外在化的装饰。艺术装饰不是对人性或物性的掩盖或遮蔽,而是使之艺术化、人文化。“Changing intrinsic nature into acquired nature”is the foundation of Xunzi’s idea of human nature and art decoration.According to him,“one’s nature cannot be good without art”.This interpretation of relationship between intrinsic nature and the acquired nature explains the origin,importance and limits of art decoration.In Xunzi’s view,ritual and music is the outcome of changing intrinsic nature into acquired nature from saints,and the unity of intrinsic nature and acquired nature,the unity of emotion and embellishment,and it is the important representation of art decoration.Ritual is for cultivation of human beings,and art decoration exists for the harmony between man and itself,man and nature,man and society.His idea continues the aesthetic and art pursuit of moderation and neutralization,and inherits and develops Confucius’s a perfect balance between nature and culture.Xunzi affirms the significance of acquired nature or art decoration,and objects the acquired nature divorced from the intrinsic nature so that it dispels external decoration.Therefore,art decoration is no longer covering up thing or human nature but makes it artistic and humanistic.

关 键 词：荀子 性 伪 礼乐 艺术 装饰 

分 类 号：B222.6[哲学宗教—中国哲学]