纯粹与智性:科学主义思潮下书法审美的现代化  

Purity and Wisdom:The Modernization of Aesthetics in Chinese Calligraphy in the Wake of Scientism

作　　者：朱玉洁 Zhu Yujie

机构地区：[1]北京科技大学文法学院,北京100083

出　　处：《复印报刊资料（造型艺术）》2023年第1期78-83,共6页PLASTIC ART

摘　　要：20世纪初,在西学东渐的浪潮里,深受科学思维影响的学者们纷纷反思传统书法审美中的依附性、含糊性、混杂性等远离书法本体的外在因素,以书法之欣赏、书法性质的再判断及书法的价值地位等为中心,展开了一系列更为纯粹的书法审美思考。他们在传承中国古代书法审美传统的同时,提侣融合中西方哲学、美学理论成果的智性价值判断,开启了书法审美的现代化探索之路。While Western learning spread to the East at the turn of the 20th century,scholars deeply influenced by scientism began to reflect on the dependence,ambiguity,and hybridity present in the aesthetics of traditional Chinese calligraphy——all of which are external factors which have gradually driven aesthetics always further away from-its ontological nature.Hence,these scholars came to propose a series of increasingly pure aesthetic concepts by focus-ing on the appreciation and reassessment of the nature of art,and the status of calligraphy's values.While inheriting the aesthetic tradition of ancient Chinese calligraphy,they advocated the establishment of new evaluative standards integrating the achievements of Chinese and Western philosophical and aesthetic theories,thus opening a path for the modern exploration of Chinese calligraphic aesthetics.

关 键 词：科学主义 纯粹 智性 审美 现代化 

分 类 号：J292.1[艺术—美术]