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作 者:武新宏[1] 张可欣 WU Xin-hong;ZHANG Ke-Xin
机构地区:[1]扬州大学新闻与传媒学院,江苏扬州225009
出 处:《未来传播》2024年第2期103-110,130,共9页Future Communication
基 金:国家社科基金艺术学重点项目“中国主流纪录片创作与批评发展研究”(21AC003)。
摘 要:纪录片是国家叙事的影像参与,具有非虚构的本质属性,在塑造国家形象方面一直发挥着积极作用。中国脱贫攻坚题材纪录片,呼应时代变迁,映照历史发展,关注现实生活。内容上,中国脱贫攻坚纪录片聚焦脱贫攻坚进程中政府和人民所做的艰苦努力和取得的巨大成就;形式上,中国脱贫攻坚纪录片探究新的叙事视角、叙事方法,在宏大叙事与个体关照、全知视角与理性旁观、国际视野与时代话语交织融合中,向世界呈现国际减贫事业的中国故事、中国智慧和中国力量,塑造真实、客观、立体的新时代中国国家形象。在国家形象新时代内涵的全面准确把握、创新叙事方式打造理解式对话、融合力量合力共塑国家形象方面,中国脱贫攻坚纪录片提供了有益启示和思考。Documentary is the image participation of the national narrative,which has the essential attribute of non-fiction,and has always played an active role in shaping the national image.China's poverty alleviation documentaries echo the development of the times,grasp the pulse of history,and focus on real life.In terms of content,focus on the arduous efforts and great achievements made by the government and people in the process of poverty alleviation;In the form of exploring new narrative perspectives and narrative methods,documentary images are used to present the Chinese story,Chinese wisdom and Chinese power of the international poverty reduction cause to the world in the integration of grand narrative and individual care,omniscient perspective and rational observation,international vision and the discourse of the times,and create a true,objective and three-dimensional national image of China in the new era.In terms of a comprehensive and accurate grasp of the connotation of national image in the new era,innovative narrative methods to create an understanding dialogue,and integration of forces to jointly shape the national image,it can provide some useful inspiration and thinking for the current Chinese documentary to shape the national image abroad.
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