莫里森《所罗门之歌》中的黑人女性形象  

A Study of Black Female Images in Toni Morrison's Song of Solomon

作　　者：王玉括[1] 王萌[2] WANG Yukuo;WANG Meng

机构地区：[1]南京邮电大学,南京210023 [2]南京航空航天大学,南京210016

出　　处：《当代外语研究》2024年第2期153-162,190,共11页Contemporary Foreign Language Studies

基　　金：江苏省社会科学基金课题(重点项目)“当代非裔美国作家埃弗雷特小说创作研究”(批准号21WWA001);教育部人文社科项目“20世纪非裔美国自传研究”(编号22YJA752020)阶段性成果。

摘　　要：受20世纪70年代女性主义思潮的影响,美国黑人女作家在反思种族问题的同时,积极思考黑人族群内部的问题,特别是黑人女性所遭受的种族歧视与性别压迫。作为其中的代表人物,莫里森不满当时的黑人女性形象,在《所罗门之歌》中塑造了众多丰富、多面的女性人物,不仅挑战了黑人女性刻板印象,也在某种程度上拓展了(黑人)女性主义的思想边界,丰富了(黑人)女性主义文学批评。The impact of feminism over black American women writers since 1970s has made them reconsider the racial issues as well as the problems among black people,focusing especially on the racial discriminations and gender oppressions against black women.Toni Morrison,the representative figure,is not pleased with the existing images of black women,and has created multiple,and dimensionally sophisticated female characters in Song of Solomon,which challenges not only the stereotyped black women images,but also broadens the boundaries of(black)feminist thought,and enriches(black)feminist literary criticism.

关 键 词：《所罗门之歌》 女性主义 女性形象 

分 类 号：I106[文学—世界文学]