民族声乐中的润腔技法应用研究  

Research on the Application of Runqiang Technique in Ethnic Vocal Music

作　　者：李大鹏[1] Li Da Peng

机构地区：[1]长治学院

出　　处：《中国音乐》2024年第3期178-185,共8页Chinese Music

摘　　要：“润腔”是中国民族声乐创作与表演中的重要概念,也是个人化风格与流派特征的重要构成因素。国内学界对“润腔”概念的探索与研究始于20世纪50年代,在诸多学者的论述中不断完善。同时“润腔”在民族声乐的表演中也可以分为装饰类润腔、特殊唱法类润腔、衬词类润腔不同类型,对此概念的剖析有助于表演者从学理层面认知声乐技术。在语言学、音乐声学等多学科方法的辅助下研究表演者的具体唱腔润饰,可以从类型学上对“润腔”有更深入的认识,并最终对润腔的研究提出方法论层面的推进。"Runqiang"is an important concept in the creation and performance of Chinese ethnic vocal music,as well as a crucial component of personalized style and genre characteristics.The exploration and study of the"Runqiang"concept began in the 1950s within the domestic academic community,and it has been continuously refined through the discussions of many scholars.Meanwhile,"Runqiang"in the performance of ethnic vocal music can also be divided into different types,such as decorative Runqiang,special vocal technique Runqiang,and supporting words Runqiang.Analyzing this concept helps performers understand vocal techniques from an academic level.Research on performers'specific vocal embellishments,aided by multidisciplinary methods such as linguistics and music acoustics,can lead to a deeper understanding of"Runqiang"from a typological perspective and ultimately propose methodological advancements in the study of Runqiang.

关 键 词：民族声乐 润腔 语音分析 

分 类 号：J616.2[艺术—音乐]