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作 者:岳淑珍 YUE Shuzhen(College of Liberal Arts,Henan University,Kaifeng Henan 475001,China)
出 处:《南阳师范学院学报》2024年第4期45-47,共3页Journal of Nanyang Normal University
基 金:国家社会科学基金项目“历代《草堂诗余》的纂刻及其词学影响研究”(21BZW013)。
摘 要:明代中后期强烈的“花”“草”崇尚在清初仍然温度不减,沿着明代崇尚的惯性,持续影响着清初词坛近半个世纪。这种影响在词坛上表现为:词体创作模仿“花”“草”;词籍纂著继承“花”“草”;词体评价以“花”“草”为标准。此时词坛亦在孕育着词学新变,针对《草堂诗余》编纂而成的词选——《词综》,逐渐对《草堂诗余》形成强有力的冲击,“花”“草”尤其是《草堂诗余》的影响被大大削弱的时代已经来临。The intense admiration for“Flowers”and“Grass”in the middle and late Ming Dynasty continued to be prevalent in the early Qing Dynasty,persistently influencing the Ci Circle for nearly half a century along the inertia of the Ming Dynasty.This influence manifested in the ci circle as follows:imitation of“Flowers”and“Grass”in Ci creation;inheritance of“Flowers”and“Grass”in the compilation of Ci collections;and evaluation of Ci with“Flowers”and“Grass”as the standard.During this period,new changes in the study of Ci were also brewing.The anthology Ci Zong,compiled in response to Caotang Shiyu,grad-ually posed a strong challenge to Caotang Shiyu,signifying the arrival of an era where the influence of“Flowers”and“Grass”,especially Caotang Shiyu,had been greatly weakened.
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