汉代槃鼓舞的文化符号探佚——以米脂官庄二号画像石墓中槃鼓舞形象为例  

A Probe into the Cultural Symbols of“Pan Gu Dance”in the Han Dynasty--Taking the Image of Pan Gu Dance in the No.2 Stone Tomb of Mizhi Guanzhuang as an example

作　　者：陈依依 CHEN Yi-yi

机构地区：[1]郑州大学河南音乐学院,河南郑州450052

出　　处：《民族艺林》2024年第1期131-138,共8页Journal of Ethnic Art

摘　　要：汉代的舞蹈,常以多样的形式在社会不同阶层的生活中广泛地流传并发展着,槃鼓舞就是其中一种。它作为汉代墓葬文物中刻绘得比较多的舞蹈形象之一,让我们在大约两千年后还能具象地考察到这个舞蹈的风貌。本文以官庄M2中一块刻有槃鼓舞形象的画像石为主要研究对象,试通过对其类属界定与整体主题形象的解读,从汉代宗教观、宇宙观中追溯舞具槃、鼓以及舞者的文化符号意义。The dance of the Han Dynasty was often widely spread and developed in various forms in the lives of different social classes,and“Pan Gu Dance(槃鼓舞-Pán GǔWǔ)”is one of them.As one of the dance images that was extensively carved in the Han Dynasty tomb relics,it offers people to observe the style of this dance in a concrete way about two thousand years later.This article focused on a portrait stone engraved with the image of“Pan Gu Dance”in the No.2 Tomb of Mizhi Guanzhuang as the main research object.Through the definition of its category and the interpretation of its overall theme image,the cultural symbolic significance of dance equipment“Pan”,“Gu”,and dancers,the religious and cosmological views of the Han Dynasty can be traced back,which also provides a new entry point for grasping the style of modern practical creation in Pan Gu Dance.

关 键 词：槃鼓舞 画像石 文化符号 实践创作 

分 类 号：J70[艺术—舞蹈]