论华文大河小说《侨歌》三部曲中吴阿贵形象  

On the Image of Wu Agui in the Chinese Roman-Fleuve Trilogy of Overseas Chinese Songs

作　　者：向忆秋 吕思莹 XIANG Yiqiu;Lü Siying(College of Chinese Language and Literature,Minnan Normal University,Zhangzhou,Fujian 363000,China)

机构地区：[1]闽南师范大学文学院,福建漳州363000

出　　处：《闽江学院学报》2024年第1期70-77,共8页Journal of Minjiang University

基　　金：福建省社科研究基地重大项目“闽南文化与东南亚华人社会、华人文学研究”(FJ2015JDZ033)。

摘　　要：华文大河小说《侨歌》三部曲是印尼华文作家黄东平的经典之作,被誉为“华侨史诗”。《侨歌》三部曲呈现了吴阿贵从闽南“新客”、商店伙计到矿山矿工的身份及行为、心态的动态变化,刻画吴阿贵的精神成长史成为《侨歌》三部曲的重要亮点。吴阿贵个人的生命史浓缩了整个近现代中国底层民众跨国移民、挣扎求生、艰苦奋斗的离散体验,其精神成长史体现出闽南文化的精神印记;吴阿贵突破个人狭隘身份意识向一种集体“大我”身份意识的转化,也反映了在文化混杂的东南亚土地上,一种跨越种族隔阂的阶级力量的萌芽与茁壮成长。The Chinese roman-fleuve trilogy of Overseas Chinese Songs,known as the"overseas Chinese epic",is a masterpiece of an Indonesian Chinese writer Huang Dongping.The novel depicts Wu Agui′s social status as a newcomer from Minnan at first then to a shop assistant and a mining miner,as well as his dynamic changes in behavior and mentality.The portrayal of his spiritual growth is a highlight of the trilogy of Overseas Chinese Songs.Wu Agui′s personal life manifests the discrete experience of transnational underclass emigrants in China′s contemporary history who struggles for living.His life also embodies Minnan culture.The transformation of Agui′s identity consciousness from personal identity to"great self"also reflects the germination and vigorous growth of a class power that transcends racial barriers in the multi-cultured Southeast Asia.

关 键 词：黄东平 《侨歌》三部曲 吴阿贵 身份认同 

分 类 号：I246.5[文学—中国文学]