论余华小说《在细雨中呼喊》的叙事艺术  

On the Narrative Art of Yu Hua's Novel Cries in the Drizzle

作　　者：年东敏 Nian Dongmin(School of Liberal Arts,Capital Normal University,Beijing 100089,China)

机构地区：[1]首都师范大学文学院,北京100089

出　　处：《焦作师范高等专科学校学报》2024年第2期18-22,共5页Journal of Jiaozuo Teachers College

摘　　要：余华的第一部长篇小说《在细雨中呼喊》的叙事艺术已相当成熟。小说通过多重叙述视角、嵌套拼贴的叙述结构与散点叙事策略,呈现开放多元的叙事主题,对文学形式与真实性、现代主义与现实主义融合形式,以及生发更多文本形态的可能性途径问题进行了探索。这一探索既是时代背景下文艺审美理想更新的产物,也与文学内部的自律性运动及余华对文学真实性认识的不断深化相关。The narrative art of Yu Hua's first full-length,Cries in the Drizzle,is highly mature.In this novel,Yu Hua presented diverse narrative themes through multiple perspectives,nested and collaged narrative structures,and scattered narrative strategies.He also explored the issues of literary form and authenticity,the fusion of modernism and realism,and the possible ways of generating broader literary forms.This exploration is not only the result of the aesthetic renewal of literature in different times,but also related to the internal development of literature itself and Yu Hua s further understanding of literary authenticity.

关 键 词：余华 《在细雨中呼喊》 叙事策略 生成语境 

分 类 号：I207.425[文学—中国文学]