《暴风雨》中米兰达的意向性感受  

Miranda's Intentional Feelings in Shakespeare's The Tempest

作　　者：冯伟[1] Feng Wei(Department of English,North East Normal University,Changchun,Jilin Province,China)

机构地区：[1]东北师范大学外国语学院英语系,吉林长春130012

出　　处：《外国文学》2024年第3期1-12,共12页Foreign Literature

基　　金：国家社科基金重点项目“早期现代英国戏剧的情感共同体建构研究”(20AWW008)。

摘　　要：在《暴风雨》中,米兰达对陌生人的理解总是错误百出,但其朝向他者的“打开”,却代表着人类面对价值世界的意向性感受。米兰达与腓迪南的结合,象征性地结束了上一代人的仇恨对抗,重新奠定了米兰与那不勒斯两国邦交的政治基础。但更重要的是,爱人之间“我爱你”的宣言,也是从“事件”过渡到一个通向“二”的“真理”构建。抛开人类个体能够独善其身的幻觉,回归自我与他者不断相遇的主体间性或跨主体性,也许能够提供一条走出身份政治之伦理困境的出路。Miranda's understanding of the others in Shakespeare's The Tempest,however fallible,is first of all an"intentional feeling,"always open and sensitive to the ontological values of the Other.The marriage of Ferdinand and Miranda not only puts an end to the violence and hatred among the older generation but also offers a vital perspective of political and spiritual unions between the self and the other.Most importantly,as a revolutionary"event,"the young couple's declaration of"I love you"is to construct a"truth"of the Two.For the past few decades,the interpretations of The Tempest have been bogged down in identity politics of the Anglo-American world,but a reorientation towards the"inter-subjectivity"and"trans-subjectivity"in the play might be a way out of this quandary.

关 键 词：《暴风雨》 意向性感受 价值 

分 类 号：I516[文学—其他各国文学]