《战争呼喊:戴安娜·格兰西戏剧集》之陌生化效果  

On the Estrangement Effect of War Cries: Plays by Diane Glancy

作　　者：邹惠玲 ZOU Huiling(School of Foreign Studies,Jiangsu Normal University,Xuzhou 221116,China)

机构地区：[1]江苏师范大学外国语学院,江苏徐州221116

出　　处：《浙江外国语学院学报》2024年第2期77-85,共9页Journal of Zhejiang International Studies University

基　　金：国家社科基金一般项目“北美印第安文学中的共同体书写研究”(21BWW067)。

摘　　要：本文以德国戏剧理论家贝托尔特·布莱希特有关陌生化的论述为依据,探讨美国印第安剧作家戴安娜·格兰西的戏剧作品集《战争呼喊:戴安娜·格兰西戏剧集》所呈现的具有印第安特色的陌生化效果。本文认为,格兰西借助“非亚里士多德式戏剧”范式,以及印第安传统典仪、歌舞、戏剧独白等陌生化手段,不仅在舞台上展现出独特的印第安文化元素,而且把剧中印第安人物在白人内部殖民高压下的精神挣扎直观地呈现在观众面前,从而引导观众冷静地审视当代印第安人的生存困境,深入反思这种困境的复杂缘由。Based on Bertolt Brecht’s concept of Verfremdungseffekt,this paper examines the estrangement effect in War Cries:Plays by Diane Glancy,which is a collection of plays written by Diane Glancy,an American Indian playwright.It argues that by adopting a series of estranging devices such as“non-Aristotelian”structure,ceremonies,dances and soliloquys,Glancy not only exhibits unique Indian cultural elements on the stage,but also visualizes,before the audience,her American Indian characters’spiritual struggle under the oppressive domination of white internal colonialism,thus enabling the audience to examine the actual state of contemporary American Indian existing dilemma dispassionately and to ponder deeply over the complex factors that contribute to such a dilemma.

关 键 词：戴安娜·格兰西 《战争呼喊:戴安娜·格兰西戏剧集》 陌生化效果 印第安文化元素 生存困境 

分 类 号：I712.074[文学—其他各国文学]