舞蹈的身体之维--基于梅洛-庞蒂身体现象学的分析  

The Body Dimension of Dance--Analysis based on Merleau-Ponty's Phenomenology of the Body

作　　者：马国全 Ma Guoquan

机构地区：[1]东南大学中国艺术发展评价研究院,江苏南京211189 [2]兰州理工大学体育教学研究部,甘肃兰州730050

出　　处：《南京艺术学院学报（音乐与表演版）》2024年第3期168-173,198,I0003,共8页Journal of Nanjing Arts Institute:Music & Performance

基　　金：国家社科基金艺术学重大项目“艺术学评价体系的理论与实践创新研究”(项目编号:21ZD11)阶段性成果。

摘　　要：身体是舞蹈的载体和基础,舞蹈最重要的是借助于身体这个媒介来表现。但这并不意味着舞蹈真正以身体的“在世存在”为本源,相反,大多数舞蹈在本质上仅把身体当作通向精神、社会、情感、神灵、个人遭遇等等的工具而进行身体之外的意义的表达。法国哲学家梅洛—庞蒂提出了身体现象学理论,他反对将意识作为哲学的起点,而把身体作为认识的中心:“我”在“我”的身体中,“我”就是“我”的身体,身体是身—心的统一;我们通过身体存在于世,用我们的身体感知世界,其本质就是身体与身体、身体与世界的交织交错、互感互生。而舞蹈正是这种身体哲学的表达形式之一,是人类谋求共生共在的重要渠道。The body is the carrier and foundation of dance,and the most important aspect of dance is to use the body as a medium for expression.But this does not mean that dance truly stems from the existence of the body in the world.On the contrary,most dances fundamentally only use the body as a tool to express meaning beyond the body,leading to spiritual,social,emotional,divine,personal experiences,and so on.French philosopher Maurice Merleau-Ponty proposed the theory of phenomenology of the body,opposing the idea of consciousness as the starting point of philosophy and placing the body as the center of knowledge:I am in my body,I am my body,and the body is the unity of body and mind;We exist in the world through our bodies and perceive the world through our bodies.The essence of this is the interweaving and mutual interaction between the body and the world.Dance is one of the expressions of this body philosophy and an important channel for humans to seek symbiosis and co-existence.

关 键 词：舞蹈 梅洛—庞蒂 身体主体 语言 身体间性 

分 类 号：J70-02[艺术—舞蹈]