忻府“山西八大套”及其音乐特征研究  

A Study on Xinfu’s“The Eight Sets of Shanxi”and Its Musical Characteristics

作　　者：傅聪[1] 秦国韬 Fu Cong;Qin Guotao(School of Physical and Art Education,Beijing Institute of Education,Beijing 100120,China;School of Music Education,Guangxi University of Arts,Nanning 530022,China)

机构地区：[1]北京教育学院体育与艺术教育学院,北京100120 [2]广西艺术学院音乐教育学院,广西南宁530022

出　　处：《齐鲁师范学院学报》2024年第3期107-116,共10页Journal of Qilu Normal University

基　　金：2022年度国家社科基金艺术学重大项目“中国乐学理论体系研究”(课题编号:22ZD12)。

摘　　要：半个多世纪以来,很多学者曾对山西八大套进行过探讨,相关研究涉及乐种、乐谱、宫调、音乐形态、文化传承等方面,已有研究对于人们认识山西八大套具有非常重要的作用。事实上,山西八大套的演奏场合在赵成贵逝世前后并不相同,从私家乐坊转向了民间乐事活动,忻府“山西八大套”就是在后一种演奏场合中传承下来的。“忻州八音艺术团”是当前山西地区能够完整演奏山西八大套的唯一班社,该文以“忻州八音艺术团”演奏的忻府“山西八大套”为主要研究对象,对其在曲体结构、宫调、旋法等音乐形态上的特征进行分析,探讨忻府“山西八大套”所具有的个性音乐特征问题。For more than half a century,many scholars have discussed“The Eight Sets of Shanxi”,which is the Chinese traditional wind and percussion music.Related research involves music types,music scores,tonality,music morphology,cultural inheritance,etc.The existing research has very important implications for people’s understanding of“The Eight Sets of Shanxi”.In fact,the performance occasions of“The Eight Sets of Shanxi”were different after Zhao Chenggui’s death.The occasion of performance has shifted from private music workshop to folk music activities.Xinfu’s“The Eight Sets of Shanxi”is inherited in the latter performance occasion“.Xinzhou Eight Musical Instruments Art Troupe”is the only troupe that can fully perform the eight sets of Shanxi in Shanxi region.This paper takes Xinfu’s“The Eight Sets of Shanxi”performed by“Xinzhou Eight Musical Instruments Art Troupe”as the main research object,and analyzes its musical characteristics in the music structure,tonality,melody development techniques,etc.,and explore the individual musical characteristics of Xinfu’s“The Eight Sets of Shanxi”.

关 键 词：忻府“八大套” 曲体结构 宫调与旋法 

分 类 号：J607[艺术—音乐]