共感美学的建构:以媒介为向度  

The Construction of Empathetic Aesthetics:From the Perspectiveof Media

作　　者：彭佳 Peng Jia

机构地区：[1]暨南大学新闻与传播学院

出　　处：《中国比较文学》2024年第2期34-49,共16页Comparative Literature in China

基　　金：国家社会科学基金重大项目“当代艺术提出的重要美学问题研究”(项目编号:20&ZD049)的阶段性研究成果。

摘　　要：“美感”的出现源于心物共感,而共感产生的基础是作为广义媒介的身体。媒介是勾连、整合、中介和形构世界的存在,其具身性在很大程度上影响着美感的发生方式。在共感美学的整体框架中,按照身媒、身媒与语言媒介的转译、身媒和其他媒介的融合三个向度,共感可以分为心物共感、物类同感和联觉通感,其主要的发生机制为心物遇合、物类聚义和跨渠道映现。从具身到离身、到再具身,身体作为媒介或媒介的一部分,对物象的生成类别和机制起着重要作用。Sense of beauty is sparked by the encounter of heart and object and mediated by body as the medium.Media as things to connect,integrate,mediate and map the world affects how sensations are inspired and produced.Aesthetics of common sense takes that feelings sparked by images and categories,as well as synaesthesia come into being on the dimensions of body as the media,disembodied/trans-embodied language,and transchannel mapping.Body and the degree of embodiment are,therefore,are of great significance in the generation of images and feelings.

关 键 词：共感美学 身体 媒介 符号 物象 

分 类 号：I01[文学—文学理论]