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作 者: 汪芸 Sue Breakell;Wang Yun(University of Brighton Design Archives,UK;Oversea Correspondent of ZHUANGSHI)
机构地区:[1]布莱顿大学设计档案馆 [2]《装饰》
出 处:《装饰》2024年第3期60-67,共8页
摘 要:如今,档案比以往任何时候都更加引人关注,这不仅体现在艺术实践和理论话语中,而且反映在流行文化中。现在,任何较新但已经被保留的内容皆可以被理解为存档。本文探讨了在档案概念已广为人知,但其含义却不那么确定的情况下,档案实践如何进一步融入当前的艺术史、理论和实践话语之中。Archives are more prominent than ever,not only in art practice and theoretical discourse but also in popular culture.An archive is now understood to mean anything that is longer current but that has been retained.This paper considers how archival practice can be integrated further within current discourses of art history,theory and practice,at a time when the concept of the archive is at both more widely known and less fixed in its meaning.
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