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作 者:侯捷飞 HOU Jie-fei
机构地区:[1]全国哲学社会科学工作办公室
出 处:《河北学刊》2024年第4期63-70,共8页Hebei Academic Journal
摘 要:作为《诗》三百的首篇,《关雎》存在一个以“阴阳和谐”为核心元素的意群体系,具有儒家所倡导的人、事、物运转“至诚无息”“发而皆中节”、各安其位而阴阳协和的“致中和”意义。《关雎》具有极强的喻示性与象征性,反映出人与物、人与人、人与社会三者联动的和谐秩序,描述了人将兼美兼善价值观念付诸实践后,人、事、物各自圆融而又互映共存、臻于完美的状态。诗中“君子”对“淑女”追求过程中“友之”“乐之”与儒家对事物“知之”“好之”“乐之”三境界的内在逻辑一致,《关雎》突出的音乐属性亦呼应并彰显“色进于礼”的文本意义。深入研究以《诗经》为代表的中华优秀传统文化,探索其思想理念,阐释其文明价值与现实意义,对于深入推进中国特色哲学社会科学“三大体系”建设,贯彻落实“两个结合”,在新的历史起点上建设中华民族现代文明,无疑具有积极的启示意义。As the first poem of The Book of Songs,the entire poem of Guan Ju has a meaning group system constructed with“harmony”as the core element.It has the Confucian concept of the“balanced harmony”meaning of“harmony between yin and yang”.To some extent,it outlines the harmonious blueprint of social harmony and“harmony between people and things”.Guan Ju has a strong metaphorical and symbolic significance,reflecting the harmonious order of the linkage between people and things,people and people,and people and society.It describes the state in which human values of both beauty and goodness are put into practice,each existence reaching perfection.The cautious pursuit of“farmiliarizing”and“pleasing”in the pursuit of the“lady”by the“gentleman”described in the entire poem is consistent with the inherent logic of Confucianism in the three realms of“perceiving”,“favoring”,and“enjoying”of things.The prominent musicality of Guan Ju also echoes and highlights the textual significance of“sex in rites”.In depth research on the excellent traditional Chinese culture represented by The Book of Songs,exploring its ideological concepts,elucidating its civilized value and practical significance,has positive enlightening significance for promoting the construction of the“three systems”of contemporary Chinese philosophy and social sciences,implementing the underlying tenets of Marxism with China’s realities and the best of its traditional culture,and building modern Chinese civilization at a new historical starting point.
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